WG.67
NEW WORKS

Group exhibition featuring new works by Nathalia Edenmont, Jason Martin, Fredrik Nielsen, Julian Opie, Marjolein Rothman, Amy Simon and Mike + Doug Starn. Opening reception on Thursday, March 21 at 6 pm. The exhibition is ongoing thru Wednesday, April 23.

Amy Simon

Born in New York and based in Stockholm and New York, Amy Simon’s works are evocative meditations on the nature of recollection, identity, and the significance of place. Simon’s diverse works encompass photography, drawing, sculpture, documentary film, and large wallpapers. Drawing often from personal experience, Simon uses images to cull memories and to strengthen and relive experience. A largely conceptual artist working in a range of scale, her work invites viewers to explore questions about their own history and examine themes of memory, belonging, dislocation and impermanence.

Born in New York City in 1957, Simon received art degrees from the University of Florida, Florida Atlantic University, Miami, and New York University. Simon has exhibited extensively in Sweden as well as in Paris and New York and her institutional and gallery exhibitions have generated a great deal of press. Her work has been exhibited at the Venice Biennale and “A different STATE of mind” was made into an illustrated book.

Fredrik Nielsen

Fredrik Nielsen (b. 1977) is the poster boy of cool rebellion, rocking an attitude that makes Swedish contemporary glass beat with a pulse. Stimulated by aspects of popular culture, Nielsen assimilates graffiti, music, videos and performance within his practice as a glass artist creating a form of kitsch that is continuously experimental. Improvisation has fueled his inspiration for pushing the material boundaries of glass beyond something banal and he is not afraid of taking risks to establish his own artistic license. Smooth surfaces and balanced form are sacrificed in place of sculptures that are rough around the edges and appear unfinished.

Many of his sculptures are embellished with statements that challenge the hierarchies within art and these concepts were expressed in an installation titled WannabeArt which was part of the exhibition Forms of Seduction at Wetterling Gallery, Stockholm in 2009. Some of the outspoken works featured were Fine Art Light (2008) and Svensk Form (2008), both critical reflections on Swedish aesthetic expectations. In June 2010, Nielsen utilized the performative aspects of the practice during a 10 day circus event titled, CATCH! at Kosta Boda. Nielsen’s flair for improvisation was put into action, fueling the direction of a sculpture which became more eccentric as the show progressed with acrobatics and live music. In the end, the sculpture represented a three dimensional expression of that evening’s energy. Through his ardent process of experimentation and colorful accessorization, Nielsen creates glass forms that completely destroy the ideas of standard normality. Instead, the unconventional emerges as a powerful statement and his attitude of rebellion becomes a refreshing break from tradition reaching out to alter viewer expectations.

~ Anne Klontz, Independent Curator

Jason Martin

Informed by intensive study of Japanese calligraphy, and an interest in North American Minimalism and the natural world, Jason Martin negotiates the boundaries between abstraction and figuration, and between drawing, painting and sculpture. Of central focus to his oeuvre are his monochrome works where — using layers of oil or acrylic gel on hard reflective stainless steel, aluminum or Perspex — he combs the paint across the surface in continuous rhythmic movements. The floating, ethereal forms that result, reveal visible traces of the artist’s movement and momentum, and bring to mind the combined advances of action painting, minimalism, and expressionism.

Jason Martin studied at the Chelsea School of Arts and Goldsmiths College in London. Born in the Channel Islands, UK, in 1970 he now lives and works in Middlesex.

Julian Opie

With gentle mockery and sharp intellect, Julian Opie uses painting, printmaking, sculpture, film and light installations to reinterpret familiar objects, and illustrate how modernist concepts and forms have been assimilated into the lexicon of everyday life. Opie’s oeuvre centers on a range of powerful metaphors drawn from an intense study of the environment. Modeling his pictorial surface after the simplified and idealized world of computer imagery, he uses a range of contemporary media to evoke how technology informs perception and contemporary experience.

Julian Opie was born in London, 1958, and graduated from Goldsmiths College in 1982. He is considered one of the most important British artists today and his work can be found in the collections of The Museum of Modern Art, Stedelijk Museum, Amsterdam, Tate Gallery London and numerous other museums and institutions. In 1995 Opie was awarded the Sargent Fellowship at the British School in Rome. He lives and works in London.

Marjolein Rothman

Marjolein Rothman’s powerfully suggestive works are an inquiry into the nature of perception. Rothman employs historical figures and events to explore how meaning is only truly accessible through the cultural frames of the future. Often fashioned in series, her portraits, and paintings of architectural monuments and buildings, are geometrically shaped, fragmentary, and rendered with minimal depth in a spare, sober palette. Through a process of reduction and obfuscation, Rothman’s images deconstruct the stability of historical truth, and invite viewers to explore the illusory aspects of knowledge itself.

Marjolein Rothman was born in 1974 in Eibergen, The Netherlands. Rothman received her education at the Akademie voor Beeldende Kunsten, Enschede, The Netherlands, 1994-1999 and was an Artist in Residency at the Rijksakademie van Beeldende Kunsten, 2003-2004. She has been awarded The Royal Prize for Painting, 2004 and the Buning Brongersprijzen, 2004. She lives and works in Amsterdam.

Mike + Doug Starn

Since the 1980s, Mike and Doug Starn’s conceptual approach to photography, and use of unorthodox techniques, has broadened notions of what is accepted as a photograph. In a signature manipulation of materials and form, the twin brothers apply innovative printing techniques, and a vast array of materials including transparency film, plexiglass, layered fused glass panels, gilded colored carbon prints, scotch tape, wax and pushpins, to create, and intensify, their metaphorical landscapes. With the theme of light as a central component of their work, the brothers explore the physical and philosophical interconnections between subjects such as leaves, trees, snowflakes, and religious icons, with human memory, perception and thought. Working collaboratively in photography since the age of thirteen, their innovative techniques, and unique combination of sculpture, painting, and video, have defied categorization, and earned them a position of eminence within the history of art.

Born in New Jersey, 1961, Mike and Doug Starn attended The School of The Museum of Fine Arts in Boston. Their work has been widely exhibited throughout the world, and represented in the collections of the Baltimore Museum of Art, Art Institute of Chicago, High Museum of Art, Atlanta, the Los Angeles County Museum of Art, Metropolitan Museum of Art, New York, and the Whitney Museum of American Art, New York, among many others. They live and work in Brooklyn, New York.

Nathalia Edenmont

Probing and provocative, the work of Natalia Edenmont explores popular culture through the medium of photography. Through the juxtaposition of opposing subjects and aesthetics, Edenmont’s work is rife with a characteristic tension as she explores themes including the deceptive nature of cultural norms, conformity, the repression of the individual, and double standards in western society.

With a strong embrace of symbolism, and clear references to historical genres of art, Edenmont’s artful, and frequently beautiful, arrangements can be viewed as a modern expression of traditional iconography.

Born in Yalta, Crimea, 1970, Nathalia Edenmont received her art education at Yalta Art School for Children, Yalta, Crimea, State Art School of Kiev, Kiev, Soviet Union, Simferopol State Art School, Simferopol, Crimea, and Forsberg’s International School of Design, Stockholm, Sweden.
Her work has been exhibited throughout Europe and the United States, and has been featured in publications including Bon Magazine, Sweden, Plaza Magzine, Sweden, Konstvärlden, Sweden and Photo International, Germany. In February 2014, Swedish public television released an one hour documentary about Edenmont and her work. Edenmont has resided in Sweden since 1991.

Other work by
Amy Simon, Fredrik Nielsen, Jason Martin, Julian Opie, Marjolein Rothman, Mike + Doug Starn and Nathalia Edenmont

(almost) Everybody I Say Hello to, Installation shots
©Wetterling Gallery, photo credit Jean-Baptiste Bérangèr
©Wetterling Gallery, photo credit Jean-Baptiste Bérangèr
©Wetterling Gallery, photo credit Jean-Baptiste Bérangèr
©Wetterling Gallery, photo credit Jean-Baptiste Bérangèr
©Wetterling Gallery, photo credit Jean-Baptiste Bérangèr
©Wetterling Gallery, photo credit Jean-Baptiste Bérangèr
©Wetterling Gallery, photo credit Jean-Baptiste Bérangèr
,
(almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
Amy Simon, (almost) Everybody I Say Hello to, 2017
,
Everybody Loves Angels, 2014. Wetterling Gallery, Stockholm
Wetterling Gallery, 2014
Wetterling Gallery, 2014
Wetterling Gallery, 2014
Wetterling Gallery, 2014
Wetterling Gallery, 2014
,
New Works, Wetterling Gallery 2014
Wetterling Gallery, 2014
,
2010-2011 (small drawings)
Colored pencil on paper. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
Colored pencil on paper. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
Colored pencil on paper. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
Colored pencil on paper. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
,
2010-2011 (large drawings)
Colored pencil on paper. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
Colored pencil on paper. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
Colored pencil on paper. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
Colored pencil on paper. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
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2010-2011 (photos)
C- print. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
C- print. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
C- print. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
C- print. © Amy Simon / Bildupphovsrätt, courtesy Wetterling Gallery
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The way of nature. The way of grace, 2011, Wetterling Gallery, Installation shots
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
New Works, Wetterling Gallery, 2014
Wetterling Gallery, 2014
© Fredrik Nielsen / Bildupphovsrätt, courtesy Wetterling Gallery
© Fredrik Nielsen / Bildupphovsrätt, courtesy Wetterling Gallery
© Fredrik Nielsen / Bildupphovsrätt, courtesy Wetterling Gallery
,
DE/CONSTRUCTING THE NORM, Wetterling Gallery, 2011
Blown Glass. © Fredrik Nielsen / Bildupphovsrätt, courtesy Wetterling Gallery
Blown Glass, carpaint. © Fredrik Nielsen / Bildupphovsrätt, courtesy Wetterling Gallery
© Fredrik Nielsen / Bildupphovsrätt, courtesy Wetterling Gallery
Cast Glass, carpaint , 2011. © Fredrik Nielsen / Bildupphovsrätt, courtesy Wetterling Gallery
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Forms of seduction, 2009, Wetterling Gallery, Installation shots
Wetterling Gallery, 2009
Wetterling Gallery, 2009
Wetterling Gallery, 2009
Wetterling Gallery, 2009
Wetterling Gallery, 2009
Wetterling Gallery, 2009
Wetterling Gallery, 2009
New Works, Wetterling Gallery, 2014
© Jason Martin / ARS, courtesy Wetterling Gallery
,
Pictures for pleasure, 2011, Wetterling Gallery, Installation shots
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
Wetterling Gallery, 2011
,
Pictures for pleasure, 2011
Mixed media/pigment on aluminium. © Jason Martin / ARS, courtesy Wetterling Gallery
Oil on aluminium. © Jason Martin / ARS, courtesy Wetterling Gallery
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Luxe, calme et volupté, 2009, Wetterling Gallery, installation shots
Wetterling Gallery, 2009
Wetterling Gallery, 2009
Wetterling Gallery, 2009
Wetterling Gallery, 2009
Winter Landscapes, 2012
© Julian Opie / Bildupphovsrätt, courtesy Wetterling Gallery
© Julian Opie / Bildupphovsrätt, courtesy Wetterling Gallery
© Julian Opie / Bildupphovsrätt, courtesy Wetterling Gallery
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Portraits, 2011
© Julian Opie / Bildupphovsrätt, courtesy Wetterling Gallery
© Julian Opie / Bildupphovsrätt, courtesy Wetterling Gallery
© Julian Opie / Bildupphovsrätt, courtesy Wetterling Gallery
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Japanese landscapes, 2009
© Julian Opie / Bildupphovsrätt, courtesy Wetterling Gallery
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Formula 1, 2002
© Julian Opie / Bildupphovsrätt, courtesy Wetterling Gallery
And so it stays, 2016, Installation shots
©Wetterling Gallery, Photo credit: Jean-Baptiste Bérangèr
©Wetterling Gallery, Photo credit: Jean-Baptiste Bérangèr
©Wetterling Gallery, Photo credit: Jean-Baptiste Bérangèr
©Wetterling Gallery, Photo credit: Jean-Baptiste Bérangèr
©Wetterling Gallery, Photo credit: Jean-Baptiste Bérangèr
©Wetterling Gallery, Photo credit: Jean-Baptiste Bérangèr
©Wetterling Gallery, Photo credit: Jean-Baptiste Bérangèr
,
And so it Stays, Wetterling Gallery, 2016
Marjolein Rothman, All shall be well III, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, All shall be well II, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, J.III, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Narcissus, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Momentum I, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Momentum II, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, And so it stays, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Momentum III, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Momentum IV, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Z.drawing, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Z.drawing II, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Self Portrait, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Rose I, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Rose II, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, That first summer, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, September III, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, September, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Zeno XVI, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Zeno IXX, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Zeno XVIII, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
Marjolein Rothman, Zeno XVII, 2016 ©Marjoelin Rothman/Bildupphovsrätt, courtesy Wetterling Gallery
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New Works, Wetterling Gallery, 2014
© Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
© Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
© Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
© Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
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2012
3 Digital prints on baryt paper with paper cut-out, 20 x 15 cm each. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Gouache/ cut-out on paper, 48 x 36 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Gouache/ cut-out on paper, 48 x 36 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Acrylic on canvas, 180 x 130 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Acrylic on canvas, 180 x 130 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Paper cut-out on paper, 56 x 42 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Gouache/ cut-out on paper, 48 x 36 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Acrylic on canvas, 180 x 130 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
,
2008
Gouache on paper, 48 x 36 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Gouache on paper, 48 x 36 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Acrylic on canvas, 180 x 220 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
,
2007
Acrylic on canvas, 180 x 105 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Acrylic on canvas, 180 x 120 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Acrylic on canvas, 180 x 110 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Acrylic on canvas, 40 x 30 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
Acrylic on canvas, 40 x 30 cm. © Marjolein Rothman / Bildupphovsrätt, courtesy Wetterling Gallery
,
Gaze, 2012. Wetterling Gallery, installation shots
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
Wetterling Gallery, 2012
She Get (s high), The Armory Show 2017
Starn, The Armory Show 2017
Starn, The Armory Show 2017
Starn, The Armory Show 2017
Starn, The Armory Show 2017
Starn, Thelma 77, The Armory Show 2017
Starn, The Armory Show 2017
,
Structure of Thought, 2015 Wetterling Gallery, Installation shots
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
,
Structure of Thought, 2015
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
,
No Mind Not thinks No Things Juju, 2013, Wetterling Gallery, Installation shots
,
No Mind Not Thinks No things Juju, 2013
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
,
Big Bambú, 2008 - ongoing project
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
,
Structure of Thought, 2001-2008
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
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Ganjin, 2000-2009
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
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All And Everything is you, 2006-2007
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
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attracted to light, 1996-2004
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
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Blot Out the Sun, 1998 -
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
© Mike & Doug Starn / ARS, courtesy Wetterling Gallery
BEYOND, 2015
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
 © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont, courtesy Wetterling Gallery
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Beyond, 2015, Wetterling Gallery, Installation shots
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
Photo Jean-Baptiste Béranger
,
Requiem, 2012 - ongoing
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-type print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
C-print mounted to glass in a black wooden frame. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
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Requiem, 2012, Wetterling Gallery, installation shots
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Photo Editions
Edition of 50, 55 x 70 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 70 x 52,6 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 70 x 55,6 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 70 x 54,6 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 70 x 65 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 68,6 x 70 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 55,7x 70 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 70 x 58,5 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 46,8 x 70 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
Edition of 50, 70 x 58,5 cm. © Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
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Butterfly collages
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont, / Bildupphovsrätt courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
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Portraits
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
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Flowers and animals
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery
© Nathalia Edenmont / Bildupphovsrätt, courtesy Wetterling Gallery