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Variables as Absence of Uniformity

Giulia Crețulescu, Lia Perjovschi, Gavril Pop, s.a.b.a. (Silvia Amancei & Bogdan Armanu), Iulia Toma, Mădălina Zaharia

WG.126

Stockholm, 30 May- 5 July 2024

Iulia Toma, Untitled (I Plant an Eye against the Mind’s Grain)

Iulia Toma

Untitled (I Plant an Eye against the Mind’s Grain)

2020-2022

Textile collage

102 x 150 cm

Lia Perjovschi, Shadow

Lia Perjovschi

Shadow

2021 - 2022

installation of textile material cut-out, textile ribbons, metal hanger

135 x 40 x 1 cm

Giulia Crețulescu, Untitled

Giulia Crețulescu

Untitled

2024

Textile collage

100 x 70 cm

Mădălina Zaharia, TristxtOTL

Mădălina Zaharia

TristxtOTL

2022

4K Film with sound
21 minutes 49 seconds
Ed. of 5 + 2 AP

Gavril Pop, Points

Gavril Pop

Points

2024

Acrylic and pencil on wood

29 pieces, 10 x 10 cm (each star)

 

s.a.b.a. (Silvia Amancei & Bogdan Armanu), On Freud's Couch

s.a.b.a. (Silvia Amancei & Bogdan Armanu)

On Freud's Couch

2020

Drawing and paper collage on paper, series of 8 pieces

15.5 x 29.6 cm (each)

About

OPENING THURSDAY, 30 MAY, 5-7 PM

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Variables as Absence of Uniformity is a collaboration with the Bucharest-based Ivan Gallery, which brings together artworks by six Romanian artists: Giulia Crețulescu (b.1994), Lia Perjovschi (b.1961), Gavril Pop (b.1998), s.a.b.a. (artist duo formed by Silvia Amancei & Bogdan Armanu, b.1991), Iulia Toma (b.1974), Mădălina Zaharia (b.1985).

The varied artistic proposals on view aim to open paths of conversation surrounding artistic methods of exploring the concept of freedom. Constructed through an intergenerational dialogue - the overarching theme focuses on manners in which socio-political and ecological changes might impact and shape one’s perception of freedom.

Please find a detailed artists' presentation through the link enclosed further below.

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This project is cofinanced by the Romanian Cultural Institute through the Cantemir Programme - a funding framework for cultural projects intended for the international environment. The Romanian Cultural Institute cannot be held responsible for the content of this material.

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